When Nate Parker‘s directorial debut “The Birth of a Nation” was announced as a Sundance selection, the knee-jerk reaction was to be expected. Many groaned that we didn’t need another “slavery film.” The concern was understandable, especially in a year that included “Underground” and “Roots” on TV. But as its Sundance reception showed, this passionate film captured an aspect of slavery that audiences needed to see.
Read more at The Awards Circuit
No comments:
Post a Comment