In the first scene of Likarion Wainaina’s “Supa Modo“, we are introduced to our bright-eyed protagonist Jo. Perched in front of a screen, she is among friends watching a kung fu movie. Their smiling faces suggest that they aren’t unlike your average, carefree child. And for this brief moment, they are. But we soon learn that these are patients in a children’s hospital, many of them with terminal illnesses.
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